From Katelyn Slyer's earliest memories sitting for portraits in her father's homebuilt studio, to The Oxford Tavern eight nights a week, and now motherhood, a camera has always been within reach.

Nowhere else to be, but in the company of friends. Joel McDonald weighs in on loose plans in the Top End.

For Yuki Minagawa, simple pleasures radiate beauty. The light. The breeze. The changing seasons.

I can't believe I'm saying this, but you only need one camera. And that's a rangefinder. No mirror slap. No detection. No awkward conversations.

Jackson O'Brien is a textbook example of a rolling stone. Independent. Adaptable. No moss. What does he pack beyond the boarding gate? We get to the bottom of it.

At the southern end of Australia's sugar cane belt, gateway to the Tweed hinterland, you'll find Murwillumbah, or Mur'bah, honest as they come.

This month we clatter through Ollie Menadue's Hi-Fi Camera Sling. For reasons that will become increasingly obvious, he listens closely.

Reaching for his CineStill 800T, an 800-speed, tungsten-balanced stock with 36 reasons to pull focus, Scott brings the theatre of Kuala Lumpur city streets conveniently before you.

Always strapped, Nicholas' practice is rooted in discipline and everyday observation. Equiped with his Leica M6, Contax G2, Yashica T4, and gut instinct, Nicholas is yet to miss a shot.

Photographer Tom Cole and his guide haul friends and family across the Pearl of the Indian Ocean, barely pulling the handbrake to eat, see, sleep, and shit.

In anticipation of Looking Tapes, an analogue photowalk, Chris Bradley sits down with host Ryan Heywood to chat all things observation.

Tracing a path of curiosity and nothing more, Tayla Mullen and best friend Tash Fraser saunter through the Indian subcontinent.